The Indie Publisher's Field Manual

You don't have to wait for permission.

You don’t need permission to publish.

That sentence should be obvious, but traditional publishing has spent over a century convincing you otherwise. They built an entire apparatus—agents, acquisitions editors, marketing departments, distribution networks—designed to make you wait. To make you revise again. To make you believe you’re not ready yet.

You want to know a secret, though? You can just make things.

The tools changed. The philosophy didn’t. This is zine culture applied to digital publishing. This is what happens when you realize gatekeepers only have power if you’re standing at their gate.

Let’s build something instead.

Part I: What Publishing Actually Is Now

In the 1990s, if you wanted to publish something, you found a photocopier, cheap paper, and some cardstock for a cover if you were feeling fancy. You folded pages by hand. Your most expensive and important piece of equipment was a long-arm stapler. You sold zines for $2 at school and record stores. You distributed through mail order and distro networks built on trust and trades.

The aesthetic was raw. The barriers were low. The philosophy was simple: make something, put it out there, see what happens.

Digital publishing is the same thing with better distribution.

You’re not waiting for Kinko’s to open. You’re not limited by how many copies you can carry or how much postage costs. But the ethics remain: make useful things, price them fairly, ship consistently, build trust through good work.

And here’s some history you might not know: E.E. Haldeman-Julius sold 500 million Little Blue Books between 1919 and 1978 at five cents each. Accessible knowledge as a radical act. Not waiting for institutions to decide what’s worthy.

You’re in that tradition now. Act accordingly.

Part II: What to Actually Publish

Forget the myth that you need one big book. You need a catalog. Multiple products across formats serving different purposes. Here’s what actually works:

Problem-Solvers (The Quick-Ship PDF)

One pain point. One promise. 2,000-5,000 words showing exactly how to solve it.

Structure: identify the problem, explain why it matters, give 5-7 concrete steps, show what changes.

Examples: How-to guides, templates, checklists, frameworks, mini-courses. The stuff people need right now to fix something specific.

Draft in 90 minutes. Layout without drama. Ship it. Price it $9-$15. Prove to yourself you can finish and ship something. Build the muscle of completion.

These are your quick wins. Your proof you’re not just thinking about publishing, you’re doing it.

Need a guide on this in particular? I made one just for that.

Essays and Commentary

1,500-3,000 words on ideas worth exploring. Cultural commentary. Personal philosophy. Contrarian takes. Connecting disparate ideas nobody else connects.

Collections of 5-10 themed essays can easily become $15-$25 products. Your thinking-in-public compiled into something people can reference.

This is thought leadership without the corporate theater. This is exploring ideas because they interest you, not because they optimize for SEO.

Deep-Dives and Research

8,000-15,000 words when a topic deserves serious treatment. Historical investigations. Fringe topics. Comprehensive guides to subjects you know deeply from lived experience.

Structure: question, investigation, findings, implications. Synthesize sources without academic bloat. Add original insight from places you’ve been and things you’ve done.

This is demonstrating expertise, serving serious learners, establishing authority without credentials.

Fiction and Creative Work

Short story collections. Novellas. Experimental fiction. Mixing genres. Breaking rules.

Cosmic horror. Gonzo fiction. Liminal stories. Speculative work. Whatever form your creativity actually takes.

Not everything needs to solve a problem. Some things exist because they should exist.

Collections and Hybrids

“Greatest hits” from your newsletter. Thematic compilations. Mixing essays with fiction. Interview collections. Year-end roundups.

This is monetizing your backlist. Creating entry points for new readers. Experimenting with formats.

Price bundles higher than individual components but fair for the value. It creates accessible entry to your work.

The Publishing Rhythm That Works

• Weekly: Problem-solvers when you have momentum

• Monthly: Essays and commentary

• Quarterly: Deep-dives, fiction, research

• Annual: Collections and retrospectives

You’re not doing all of these every week. You’re rotating formats to prevent burnout while maintaining consistent output.

Build buffer systems for chaos weeks. Some months you’re hyper-focused and can bang out three products. Some months you’re maintaining and nothing ships. That’s fine. The rhythm averages out over quarters, not weeks.

Part III: The Minimal Publishing Stack

Here’s what I use and honestly it’s everything you actually need:

Google Workspace - Writing, storage, collaboration. Docs for drafting, Sheets for tracking, Drive for organizing.

Gumroad - Sales, delivery, affiliate management. Takes 10% but handles payment processing, file delivery, customer service infrastructure. Worth it.

Substack - Newsletter home base. Weekly essays, serialization, building relationships through conversation.

Canva - Make attractive covers. That gets attention. The free version is good, the paid version is great.

That’s the entire stack. 4 tools. Everything else is optional and probably unnecessary.

When AI Helps (And When It Doesn’t)

Use Google Gemini for research and fact-checking. Use Claude for editing and structure. Use prompts that preserve your voice instead of making you sound like everyone else.

The free versions of these should be more than enough for this.

AI can’t replace lived experience, original insight, the weird connections your brain makes, or your particular combination of knowledge domains.

AI is an assistant, not a replacement. Let it handle the tedious parts so you can focus on the parts that require being human.

The Lo-Fi Aesthetic

Intentional raw edges beat polished corporate every time. Clarity over beauty. Function over form. Zine ethics in digital products.

Your PDF doesn’t need professional design. It needs to be readable, organized, and useful. Google Docs export to PDF works fine. Simple headers, clear sections, maybe some bold text for emphasis.

“Good enough” ships. “Perfect” sits in your drafts folder forever. Ship the good enough version and improve based on feedback.

Part IV: Building Your Catalog Strategically

Products 1-10: Proving You Ship

Focus on problem-solvers. Quick PDFs. Templates. Checklists. Things you can finish in a weekend and ship the following Monday.

You’re not trying to create masterpieces. You’re building the muscle of completion. You’re proving to yourself that you can finish things and put them out there.

Products 11-25: Establishing Range

Mix formats. Add essays. Include fiction if that’s your thing. Show that you’re not just a one-trick specialist.

This is where you start exploring different domains. Military tactics and content creation. Japanese philosophy and operations. Consciousness exploration and business frameworks.

Let your encyclopedia brain loose. Make connections nobody else makes.

Products 26-50: Going Deep

Longer guides. Research-heavy work. Comprehensive treatments of topics you know from lived experience.

Collections start making sense here. Bundle earlier work thematically. Create “complete works” packages.

The backlist advantage kicks in: old products keep selling while you make new ones.

Why 50 Products Beats 1 Masterpiece

One product depends on one launch. Fifty products create multiple entry points. Different people discover you through different work.

Some products sell consistently. Some spike during specific seasons. Some barely sell but position you as someone who tackles difficult topics.

The catalog itself becomes the asset. Each new product adds value to existing products through bundles and cross-sells.

Part V: The Business Reality

Pricing Philosophy

Accessible over extractive. $9-$49 for most products. Bundles at $35-$75.

Personally, I keep individual products between $2-$15 and bundles between $25-$50. That’s what works best for me, but your audience and subject matter might be different, so experiment.

With this pricing, you’re building repeat customers, not extracting maximum value from one-time whales. Fair pricing builds loyalty. Affordable pricing removes barriers.

Multiple Income Streams

Product sales (primary). Bundles. Subscriptions if that makes sense for your work. Profit-sharing with people who recommend your stuff (50/50 splits, not insulting 5% commissions).

Direct sales beat everything else. No platform dependency. No algorithm changes destroying your reach overnight.

Operations Without Drama

• Version updates get emailed to everyone who bought the original.

• Single source of truth for tracking products, sales, customer issues.

• Weekly review ritual: what shipped, what sold, what broke, what’s next.

• Tools earn their keep or get cut. Simplify constantly.

Part VI: The Polymath Advantage

Interesting people shouldn’t suppress their multifaceted nature to stay “marketable.”

Your unique combination of experience, whatever weird resume you have, can’t be replicated by competitors. That’s not a bug. That’s the entire advantage.

Make those connections visible in your work. Cross-domain products become your signature. Build authority without credentials through demonstrated insight nobody else has.

Why your weird combination matters more than their narrow expertise:

The specialist knows one domain deeply.

You see patterns across five domains they don’t even know exist. When those domains intersect in real-world problems, you have answers they can’t generate.

Trust your curiosity. Build what interests you. The right people will find it because nobody else is making what you’re making.

Part VII: Your First Year Roadmap

Months 1-3: Prove You Ship

10 problem-solvers. Quick PDFs solving specific pain points. $9-$15 each.

Weekly shipping rhythm. Build the muscle. Prove completion is possible.

Months 4-6: Establish Range

5 essay collections. 3 deep-dive guides. 2 experimental projects (fiction, hybrids, whatever calls to you).

Monthly rhythm for substantial work. Maintain weekly rhythm for quick wins.

Months 7-9: Go Deep

3 comprehensive guides. 2 research-heavy projects. 1 fiction collection if that’s your thing.

Quarterly rhythm for major work. Start bundling earlier products thematically.

Months 10-12: Build Catalog

2 “greatest hits” collections. 3 themed bundles. Year-end retrospective.

Reflection on what worked. Planning next year’s domains. Deepening profitable areas while maintaining range.

Consistent output beats perfect launches.

Catalog depth creates compounding value. Weird combinations attract the right audience. Fair pricing builds loyalty. Simple systems survive chaos.

You don’t need permission from the gatekeepers. You don’t need credentials from institutions. You don’t need validation from people who’ve never done what you’re trying to do.

You need to make useful things, ship them consistently, price them fairly, and build trust through good work over time.

The practice of independent publishing is simple. Not easy, but simple.

Make something. Put it out there. See what happens. Learn from the feedback. Make the next thing better. Repeat until you have a catalog.

Welcome to indie publishing. The photocopier’s digital now, but the philosophy remains.

Ship your work.

~ J.D.